George O’Connor
has created the exciting Olympians
series of graphic novels. His four
books, Zeus - King of the Gods, Athena - Grey-eyed Goddess, The Glory of Hera, and Hades - Lord of the Dead, published by First Second, are
spirited, well-researched interpretations of classic Greek myths in comic book
form.
Zeus - King of the Gods tells the creation story in which the titans and the
gods battle for supremacy. O’Connor’s illustrations convey the power and
intensity of this epic clash, and his narrative gives the gods flesh and bone
as they struggle like superheroes and tease like siblings.
“When I was researching Olympians, not just reading
the ancient sources, but also traveling around Greece and Italy and other
places where people had worshiped the gods, I began to get a much different
version of how the gods should be depicted and perceived,” O’Connor said in an
interview with Chris Mautner of The Comics Journal. “As I added my own twists here and there, I made connections
that were not so apparent before and condensed a couple of characters into one,
all in the interest of creating a whole tapestry of Greek mythology.”
All four volumes of O’Connor’s mighty tapestry are freshly
appealing to young adult readers. His panels reverberate with passion and fury.
O’Connor handles the wanton nature of his characters with delicacy so that
alert parents have nothing to fear. At the back of each book,
the author’s note is like a mini conversation with O’Connor, and the
bibliography and geek notes offer a wonderful opportunity for further learning.
This series gets my bookmark because it is intelligent,
action-packed and a lot of fun. I’m looking forward to future volumes in the
series and am hoping that O’Connor makes good on his proposal for a spin-off
series of heroes and monsters.
Tracy Barrett is
a professor at Vanderbilt University and has authored a number of books for
young adult readers including Anna of
Byzantium, and The
Sherlock Files mysteries. Barrett’s recent novels seek
to recreate the ancient world while adding a new dimension to familiar
characters from mythology.
King of Ithaka (Henry
Holt, 2010) is Barrett’s imaginative exploration of the personality of
Telemachos, son of Odysseus. Accompanied
by his friends Brax and Polydora, Telemachos must go in search of his father and then "return to the place that is not, on the day that is not, bearing the
thing that is not.” The struggles ensuing from this strange quest help
Telemachos grow in the knowledge of what it takes to be a king.
Barrett’s most
recent novel is Dark of the Moon (Harcourt, 2011), a very clever
re-imagining of the myth of Theseus and the Minotaur. The story is told mostly
from the point of view of Ariadne, a young woman about to become the moon
goddess of Krete. Ariadne’s misshapen brother Asterion is the captive Minotaur
monster to whom Theseus will be sacrificed.
Barrett writes characters that must face the mundane
challenges of daily living with as much courage as is required for the more
heroic contests of legend. This quality lends a sense of credibility and even
modernity to the story. When I asked her about this, she explained:
I don’t think it’s true that people are people; that we’re
all the same no matter where or when we live. If that were the case, there
would be no such science as anthropology or sociology! But I do believe there
are some constants. At the beginning of “King
of Ithaka,” for example, Penelope has to find Telemachos’ shoes for him.
Ask any mother of a teenager, and she’ll tell you that boys have
shoe-blindness. I bet that was true in the Iron Age as well! I also think that
teenagers have always and will always flirt, feel caught between childhood and
adulthood, be easily embarrassed, simultaneously crave and fear adventure. I
really enjoy exploring these familiar emotions in an unfamiliar setting.
When I asked why students should read the classics,
Barrett replied:
The most important reason is that the classics are wonderful
stories. They wouldn’t have come down to us if they weren’t. For any ancient
tale to have survived is miraculous—someone had to love it enough to write it
down (both the Iliad and the Odyssey were originally told
orally), and then it had to be copied over and over again in order to survive
thousands of years. Paper and parchment were expensive, so they were reused and
repurposed if what was written on them wasn’t considered important enough to
save (some important ancient writings were reused as mummy wrappings in
Egypt!). If a book wasn’t loved and taken care of, it would rot or fall apart or
be eaten by bugs. So lots of people had to have loved these stories in order
for them to make it to the twenty-first century. They can’t all be mistaken.
Tracy Barrett had a lot more to say about studying the
classics, her writing, and these stories. I thoroughly enjoyed our conversation and I learned a lot. Please read the full interview on my March 2012 blog post.
M.D. Clark reads
Greek, Norse and Irish myths to her children.
No comments:
Post a Comment